Monday, February 2, 2026

The Deconstruction of the European Allegory; Cannibal Talk: The Man-Eating Myth and Human Sacrifice in the South Seas by Gananath Obeyesekere

 


 

Gananath Obeyesekere, Emeritus Professor of Anthropology at Princeton University, critically examines the Western European narrative surrounding cannibalism in his 2005 work, Cannibal Talk: The Man-Eating Myth and Human Sacrifice in the South Seas. Obeyesekere challenges the entrenched narrative that portrays the white man as a civilizing force in the world. Through a critical analysis of Captain Cook's voyages and the subsequent mythologizing of his figure, Obeyesekere deconstructs the romanticized view of European explorers as benevolent agents of progress. He contends that the mythologized portrayal of cannibalism serves as a reflection of European societies' own obsessions and has been used to rationalize acts of colonial violence. Through a thorough analysis of early European eyewitness accounts, Obeyesekere argues that these narratives were largely fabrications by Western sailors, lacking an accurate representation of the realities they purported to describe. He emphasizes that the claims of cannibalism are often devoid of empirical support, revealing the constructed nature of these myths.

 

A Cannibal

A cannibal refers to an organism, including humans, that consumes the flesh of others within the same species. The term was popularized by Christopher Columbus after European explorers arrived in the Americas, where it was employed by colonizers as a means to facilitate their expansionist agendas. By branding non-Western individuals as "savages" or "cannibals," colonizers sought to depict them as uncivilized and morally inferior, thereby justifying their own violent actions and the imposition of European values. This labeling served to rationalize the brutalities of slavery, conquest, and colonization, framing these acts as a form of bringing civilization to what they perceived as a primitive and perilous world.

 

Cannibalism

Cannibalism refers to the practice of one organism consuming another individual of the same species, a phenomenon that can be observed across various animal groups and has also been documented in human history, where it is specifically termed "anthropophagy." The motivations behind this behavior are diverse, ranging from survival instincts triggered by environmental pressures such as scarcity of food or conflict to more intricate cultural, religious, or ritualistic reasons, including spiritual beliefs or the desire to gain the strength of a defeated adversary. In the animal kingdom, cannibalism may serve as a natural adaptive response to challenging ecological conditions, whereas in humans, it has manifested in numerous forms and contexts throughout different cultures and eras, despite being largely regarded as taboo in many contemporary societies.

  

Exo-Cannibalism and Endo-Cannibalism

Exocannibalism refers to the act of consuming the flesh of individuals who belong to different social groups, typically those perceived as enemies or outsiders. This practice is often employed as a means of asserting dominance and inflicting humiliation during conflicts, serving not only as a method of revenge but also as a way to symbolically absorb the attributes of the vanquished.

In contrast, endocannibalism involves the consumption of human flesh from within one’s own community, frequently observed in funerary rituals, such as those practiced by the Fore people of Papua New Guinea. This form of cannibalism is often imbued with deep emotional significance, acting as a gesture of love, a means of mourning, or a way to assist the deceased in their journey to the afterlife. However, it is important to note that such practices can also pose health risks.

The examination of both exocannibalism and endocannibalism offers valuable insights into diverse cultural practices and their motivations, which can range from a profound respect for the deceased to expressions of aggression and territoriality. By studying these forms of cannibalism, researchers can gain a deeper understanding of various cultural phenomena, including the processes of grief, beliefs surrounding life after death, the social dynamics of identity formation (distinguishing between friend and foe), and the symbolic implications of consumption within human societies.

  

Conspicuous Anthropophagy

Obeyesekere acknowledges that certain indigenous cultures, such as the Maori of New Zealand and various tribes in South America, engaged in the practice of conspicuous anthropophagy. This ritualistic consumption of human flesh was often rooted in warrior traditions, serving purposes such as the absorption of an enemy's strength, the expression of respect for the fallen, or the demonstration of power and dominance. Additionally, the concept of anthropophagy extends into the realm of cultural consumption, where foreign elements are symbolically "ingested" and assimilated into a culture. It is important to recognize that every culture harbors its own xenophobic tendencies, which can be attributed to a complex interplay of evolutionary, personal, and environmental influences. These factors contribute to the phenomenon of xenophobia, which is often deeply embedded in the collective unconscious of societies, shaping attitudes and behaviors toward the unfamiliar and the other.

 

Cannibalism in Polynesian Societies

Cannibalism was practiced in certain Polynesian societies, notably in Fiji and the Marquesas, primarily as a ritualistic expression of warfare and a demonstration of dominance, rather than out of necessity for survival. European colonial narratives, however, frequently exaggerated these instances, framing them as widespread phenomena to perpetuate stereotypes about indigenous populations and to rationalize their colonial endeavors. While there is evidence that limited forms of cannibalism existed, often linked to human sacrifice, these practices were typically selective and deeply intertwined with intricate religious and political ceremonies, rather than being a common aspect of daily life. This nuanced understanding challenges the simplistic and sensationalized portrayals that have historically overshadowed the rich cultural contexts of these societies.

  

European Fascination with Cannibalism

The European intrigue with cannibalism was steeped in a complex web of hypocrisy, where the notion of "savage" cannibalism served as a convenient justification for colonial expansion. This perspective allowed colonizers to portray indigenous peoples as barbaric, thereby legitimizing their own exploitative practices. Paradoxically, Europe itself engaged in what could be termed "medicinal cannibalism," wherein human flesh was consumed under the belief that it possessed curative properties. A notable example of this was the use of mumia, a substance made from ground human remains, which was widely regarded as an effective treatment for a variety of health issues. The portrayal of cannibalism as a marker of savagery functioned as a powerful rhetorical device, yet it simultaneously masked the often contradictory and unsettling reality of Europe's own historical engagement with the consumption of human remains, whether for medicinal purposes or, in some instances, even for culinary enjoyment.


Cannibalism in Europe

Cannibalism in Europe avows a complex and multifaceted history, manifesting in various forms such as funerary rituals, survival strategies during periods of famine, and even medicinal practices. Evidence of these practices spans from the time of Neanderthals to the early modern era. For instance, funerary cannibalism, exemplified by the Magdalenian culture approximately 15,000 years ago in northwest Europe, involved the consumption of deceased individuals as an integral aspect of their cultural rites. In contrast, survival cannibalism arose in dire circumstances, particularly during sieges when food scarcity forced individuals to resort to extreme measures for survival. Furthermore, the early modern period saw the prevalence of medicinal cannibalism, where human blood, brains, and even mummified remains were utilized in various healing practices, reflecting a deeply ingrained belief in the therapeutic properties of human remains.

  

European Eyewitness Accounts of Cannibalism

European accounts of cannibalism are marked by a range of documented instances that highlight the grim realities of human behavior in extreme circumstances. Notable among these is Hans Staden's detailed observations of the Tupinambá people's rituals in Brazil, where he described their practices involving the consumption of human flesh. Additionally, during the First Crusade, reports emerged of soldiers in Ma'arra resorting to cannibalism, consuming the bodies of local Muslims as a desperate act amidst the horrors of war. Furthermore, testimonies from Holocaust survivors have drawn chilling parallels between the atrocities they witnessed in concentration camps and fictional depictions of cannibalism, using these comparisons to articulate the profound dehumanization experienced during that dark period. These accounts range from direct, first-hand observations to indirect reports and thematic reflections, all serving to illustrate the extreme violence and the disintegration of societal norms that can occur in times of crisis.

 

Psychological Explanations for Cannibalism

Psychological interpretations of cannibalism are diverse and complex, encompassing a range of mental health issues. Severe mental disorders, such as schizophrenia, may lead individuals to engage in cannibalistic acts as a misguided form of self-defense or survival during psychotic episodes. Additionally, personality disorders characterized by psychopathic or sadistic traits can drive individuals to commit such acts, often stemming from deep-seated feelings of ego-frustration and a compulsive need for dominance over others. It is crucial to recognize that cannibalism is not exclusively linked to mental illness; it can also emerge from various psychological factors, including traumatic experiences, cultural rituals, or primal survival instincts in life-threatening situations.

In extreme cases, individuals suffering from delusions or paranoia may resort to cannibalism as a perceived means of self-preservation, believing that assimilating another person is essential for their own survival. Furthermore, those with mixed personality disorders, particularly those exhibiting psychopathic and sadistic characteristics, may find themselves drawn to cannibalism as a way to alleviate profound narcissistic frustrations and fulfill their ego-driven desires. Additionally, certain extreme forms of paraphilia have been connected to pathological cannibalism, where the act serves a specific sexual or psychological function, although it is important to note that such fantasies are often more prevalent than actual instances of consumption. A comprehensive, multidisciplinary approach is essential to unravel the intricate motivations and circumstances surrounding this disturbing behavior.


Cannibal Island:

This title alludes to the historical moniker attributed to Fiji, and it is also the name of a documentary film from 1931 that delves into the practice of headhunting, often referred to as Cannibal Island. The film, titled Gow the Headhunter, was produced in 1927 by Captain Edward A. Salisbury, with cinematography by Ernest B. Schoedsack and M. A. W. Morian. It provides an in-depth examination of the tribal customs, dances, and warfare associated with headhunting in the Western Pacific, focusing particularly on the Solomon Islands and the New Hebrides. The documentary juxtaposes the indigenous practices of these communities with the encroaching influences of European civilization in Fiji. The narrative loosely follows the journey of the headhunters as they engage in warfare and return with new "trophies," and it has been recognized as a pivotal work that shaped the genre of adventure films that followed.


The “man–eating” Myth

The concept of the "man-eating myth" in Europe primarily highlights the tendency of Europeans to depict certain groups as "savage" or "barbaric" cannibals, particularly during the era of colonial expansion. This notion is thoroughly examined in William Arens's seminal work, The Man-Eating Myth: Anthropology and Anthropophagy, published in 1979. However, it is crucial to recognize that European culture itself harbored a historical, though often concealed, practice of medical cannibalism. This involved the consumption of human remains, such as mummies, under the belief that they possessed medicinal properties. The use of human fat, blood, and bones in various remedies underscores a complex and often contradictory relationship with cannibalism within European society, revealing a duality where the same culture that condemned cannibalism in others simultaneously engaged in its practice for purported health benefits.

  

The Death of Captain Cook and Dispelling False Claims of Cannibalism

Captain James Cook met his demise on February 14, 1779, in Kealakekua Bay, Hawaii, during a violent encounter with the native Hawaiian population, known as Kānaka Maoli. This tragic event unfolded during his third voyage across the Pacific, following a series of escalating tensions between Cook and the locals, which were exacerbated by the theft of one of his ship's small boats.

 In the course of this confrontation, Cook was fatally wounded; he was struck by a spear and subsequently clubbed to death by a group of villagers after he had shot one of their own. Contrary to popular belief, Captain Cook was not subjected to cannibalism. The misconception arises from a misunderstanding of the Hawaiians' ritualistic practices, which involved cooking his body to facilitate the removal of his bones, rather than for consumption. This myth has often been perpetuated as a form of European propaganda, aimed at depicting the indigenous islanders as barbaric and savage, thereby justifying colonial attitudes and actions during that era.

Captain James Cook was renowned for his disciplined approach to sailing and his scholarly pursuits, which significantly advanced the field of cartography and facilitated naval exploration. His contributions were particularly notable in the fight against scurvy, a disease that had claimed the lives of many sailors during long voyages. Cook was distinguished by his commitment to diplomacy; he engaged with indigenous populations through respectful communication rather than resorting to violence, instructing his crew to avoid aggressive actions as much as possible. However, the latter part of his legacy became marred by the actions of British soldiers who perpetrated colonial violence in Australia after his time. Ironically, Cook himself did not witness these events, as he was killed in 1779. In 2018, a wave of protests erupted in Australia, challenging Cook's legacy and leading to the vandalism of his statues, reflecting a growing recognition of the darker aspects of colonial history and the impact of European expansion on indigenous communities.

 

Cannibals in Daniel Defoe's Robinson Crusoe

The portrayal of cannibals in Daniel Defoe's "Robinson Crusoe" serves as a literary construct rather than a reflection of actual historical events. Although the narrative draws inspiration from the genuine experiences of Scottish castaway Alexander Selkirk, the cannibals that Crusoe encounters are fictional devices designed to delve into complex themes such as civilization, authority, and the concept of the 'other.' As Crusoe teaches Friday his language, he also attempts to alter Friday's dietary practices, imposing his own European values and customs upon the land, which he regards as his personal domain. This dynamic between Crusoe and Friday, whom he names and seeks to convert, further illustrates the colonial mindset prevalent during the period, highlighting the prevailing attitudes towards empire and cultural dominance. "Robinson Crusoe" is frequently interpreted as a text that endorses colonialism and slavery, mirroring the 18th-century European perspective that rationalized the subjugation of foreign territories and the enslavement of indigenous populations.


Edward Said's concept of Orientalism

Edward Said's notion of Orientalism articulates a framework through which the West has historically represented and exerted power over the "Orient," primarily encompassing regions such as the Middle East and Asia. This framework constructs the East as an exotic, primitive, and inferior counterpart to the rational and superior West, or "Occident." Over the centuries, this discourse has served to legitimize colonial domination by depicting Eastern societies as in dire need of Western intervention and modernization. Edward Said contended that 'Orientalism' is fundamentally a European invention, a conceptual tool employed to portray and control the East, with academic studies in Orientalism playing a pivotal role in this narrative. Rather than being a mere scholarly endeavor, Orientalism functions as a cultural and political instrument deeply ingrained in Western institutions, academic discourse, and popular media, thereby perpetuating stereotypes and power disparities that reinforce Western hegemony.

   

Cannibalism: A Colonial Propaganda?

Reports of cannibalism were strategically employed as colonial propaganda to dehumanize Indigenous populations and rationalize European conquest and settlement. While instances of actual cannibalism did occur, such as the survival cannibalism witnessed during the "Starving Time" at the Jamestown settlement, the broader narrative surrounding cannibalism served to portray Indigenous societies as savage and morally depraved. This portrayal effectively legitimized the dispossession and exploitation of these communities. Despite the historical use of cannibalism as a means to dehumanize colonized peoples, some anthropologists challenge the notion that it was a culturally accepted practice. In his influential work, The Man-Eating Myth, William Arens contends that while survival cannibalism may happen in dire circumstances, there is a lack of substantial evidence supporting the existence of cannibalism as a socially sanctioned custom. Colonizers utilized propaganda to advance their political objectives by disseminating biased information that shaped public perception and justified their actions through various media, including postage stamps, films, newspapers, and photographs. These strategies were designed to legitimize colonial rule, encourage military recruitment, foster nationalism, and promote the colonizers' culture and resources, all while reinforcing negative stereotypes and asserting the supposed superiority of their society.


Justification of Colonial Violence

Colonial violence encompasses the extensive and systematic application of both physical and psychological force by colonizing entities to assert dominance, maintain control, and govern colonized populations and territories. This brutality was frequently rationalized through ideologies that promoted notions of racial and cultural superiority, which served to legitimize the subjugation, exploitation, and so-called "civilizing" missions directed at indigenous peoples. The methods employed were often horrific, including torture, mass executions, collective reprisals, and psychological humiliation, all of which left enduring scars on the affected communities and their social structures. Justifications for such violence were rooted in a belief in racial hierarchies, where colonizers viewed themselves as bearers of civilization tasked with the control and punishment of "inferior" races, whom they believed required strict discipline and guidance. This dehumanization was compounded by the colonizers' perceived entitlement to exploit both the resources and labor of the colonized for economic benefit, fostering an environment where extreme violence, systemic exploitation, and the dismantling of existing societies became normalized and rationalized. Furthermore, these actions contributed to the propagation of pseudo-scientific theories that established a hierarchy of life, positioning European civilization at the pinnacle, thereby reinforcing the moral and ethical justifications for colonial domination.

  

Cannibalism – Projection of the Other

The term "projection of the other" typically describes a psychological mechanism in which individuals unconsciously assign their own unacceptable thoughts, emotions, or motivations to someone else. This process serves as a defense mechanism, enabling individuals to evade the uncomfortable task of acknowledging these traits within themselves. In this framework, Obeyesekere posits that the concept of cannibalism should be interpreted as a manifestation of European projection onto other cultures. While some critics contend that denying the existence of cannibalism equates to a denial of the Holocaust, Obeyesekere argues that the phenomenon of cannibalism did not reach the catastrophic scale of genocide witnessed during the Holocaust. This distinction is crucial, as it underscores the complexities of cultural perceptions and the historical contexts in which these narratives are situated.

 

Hannibal Lecter—The Evil Other

The character of Hannibal Lecter first emerged in the literary world through Thomas Harris's 1981 novel, "Red Dragon." This groundbreaking work not only introduced readers to Lecter's intricate and unsettling nature but also set the stage for his subsequent appearances in literature and film. Given the significant influence of Harris's writing, it is reasonable to speculate that Obeyesekere, as a contemporary figure, may have encountered this notorious cannibalistic character, whose chilling persona continues to resonate with audiences and inspire discussions about morality, psychology, and the darker aspects of human nature.

Hannibal Lecter embodies the archetype of the Eastern European antagonist, representing a sinister and enigmatic figure that stands in stark contrast to the values and norms of the Western world. This duality serves to highlight the perceived moral and ethical boundaries that separate the East from the West, with Lecter’s actions and motivations challenging the very foundations of Western civilization.

Hannibal Lecter is a multifaceted character whose portrayal in Western media complicates the narrative surrounding Eastern European representation. He challenges conventional stereotypes by embodying traits such as culture, intelligence, and sophistication, all while simultaneously being depicted as a monstrous serial killer with an ambiguous, unspecified Eastern European heritage. This duality is further explored through his aristocratic lineage and the traumatic experiences of his childhood, which provide context for his complex personality. However, Lecter also serves as a lens through which the West often projects its concept of the "evil Other," utilizing Eastern Europe as a backdrop for horror narratives.

 

Concluding Thoughts

Obeyesekere highlights the detrimental propaganda propagated by colonial powers against non-European populations, which often bore little resemblance to reality. Within a Eurocentric framework, narratives surrounding colonizers were depicted as both tragic and sensational. The prevailing mission assigned to European colonizers was to "civilize" what they deemed to be savage societies.

This notion was notably encapsulated in Rudyard Kipling's poetry, which suggested that Western nations bore a moral obligation to impose their culture and governance on non-white, non-Western peoples through colonization. Such justifications for colonialism have faced significant criticism for their paternalistic undertones and the underlying assumption of Western racial superiority.

The portrayal of the South Seas as a realm of "Man-Eating Myths" by Western narratives often oversimplifies and distorts the intricate realities of these societies. Such negative stereotypes fail to capture the rich cultural identity and diverse traditions that characterize the region. It is crucial to approach the cultural heritage of these regions with a more nuanced and respectful perspective. 

It is important to clarify that Obeyesekere did not possess any anti-Western feelings or attitudes. His work and perspectives reflect a nuanced understanding of cultural interactions rather than a rejection of Western influence. Instead of harboring resentment, he engaged critically with Western narratives, seeking to explore and articulate the complexities of cultural identity and colonial history. His work critically examines the racial hierarchies, pseudo-scientific ideologies, cultural assimilation, and the erosion of indigenous knowledge, alongside the legal and economic exploitation that characterized the colonial period.

 

 

Sunday, February 1, 2026

Amadeus Mozart and Antonio Salieri

 


 

Dr. Ruwan M. Jayatunge  

Wolfgang Amadeus Mozart was a great composer who showed his skills even as a child. At the age of three, he started playing the keyboard, and at the age of five, he composed minutes. When he completed his first opera, Mozart was just 12 years old. He composed over 600 works, including 50 symphonies and 17 piano sonatas, during his lifetime. Perhaps Mozart is the most respected classical composer in history.

Although Amadeus Mozart was a genius in classical music, his personal character was full of arrogance and unrefinedness. He was a pompous, overconfident, and ill-mannered musician who was often boastful in his work. There is no doubt that Mozart was a talented composer who could write music from his powerful memory. Mozart was not popular among his colleagues, and he demeaned other composers, considering himself the greatest maestro of Vienna.

Since his childhood, Amadeus Mozart had his father, Leopold Mozart’s, influence.  Leopold Mozart was a prominent composer in Salzburg who played a key role in his son’s successes.  However, his father intervened in Mozart’s every life event, sometimes without giving any independence.  

Emperor Joseph II always knew Amadeus Mozart’s talents and kept him in Vienna.  His father, Leopold Mozart, was not compatible with this idea and wanted his son back in Salzburg. Perhaps Leopold Mozart had less control over his son in Vienna than in Salzburg. Despite his father’s advice, Amadeus Mozart stayed in Vienna and married a girl named Constanze. After the marriage, Mozart’s expenses surged, and he often lived in debt.  

The lifelong rivalry between court composer Antonio Salieri and Amadeus Mozart is intensely speculated about in history.  Antonio Salieri was jealous of Amadeus Mozart’s talents, and at the same time, he was secretly admiring Mozart’s masterpieces. When the Emperor and the other noblemen were against his comic opera, The Marriage of Figaro, following politically based issues, Salieri adored his rival’s operatic play. 

Antonio Salieri was a pious man who believed that God gifted his musical ability. When he saw that Mozart was more talented and more recognized, Salieri renounced God and rebelled against Mozart, thinking that he was fighting God.  Salieri’s hatred towards Mozart was unlimited, and it extended to divinity. His sarcasm and evil wishes were directed at Mozart.  While Antonio Salieri was in personal agony, Mozart took to heavy drinking.

Mozart started overworking to pay his debts, and he was drunk most of the time.  His father, Leopold Mozart, ’s unexpected death caused more guilt in his mind, and to overcome the self-blaming feelings, Mozart started to write a Requiem for himself.

After a temporary separation from his wife, Constanze, Mozart became more isolated and started indulging in alcohol. His behaviour became more and more irritable, and in his final days, Antonio Salieri stayed by him.  Mozart dictated notes from his bed, and Salieri took them down with utmost respect and interest.

While working, Mozart’s condition became worse, and he was in a delirious state.  When Constanze arrived, her husband was in a terminal condition. He was pale and speechless. Wolfgang Amadeus Mozart died at the age of 35. He was buried in a common grave without royal respect.

Soon after his death, people were suspicious of Antonio Salieri for poisoning Mozart. Salieri was utterly devastated by these accusations and later had a nervous breakdown. His musical success started to decline, and people forgot his symphonies. Although Amadeus Mozart was dead, his music was immortal.  Antonio Salieri witnessed his professional degradation soon after Mozart left.  He spent his final years in an asylum. In his last years, Antonio Salieri confessed to murdering the great composer Amadeus Mozart.  

Nearly two hundred years after Mozart’s death, a team of pathologists at the University of Maryland School of Medicine came up with a theory of rheumatic fever that killed this great composer untimely. In Mozart's final days, he had irritable behaviour, swelling of the body, and various other physical and psychological symptoms that had been caused by the streptococcal infection of the blood. Hence, murder was overruled. Although Antonio Salieri hated Mozart, envied him, and showed no compassion, he was not in a position to physically murder Mozart.

Their friendship was so strange. Mozart was critical of Salieri’s work and sometimes publicly passed sardonic comments. On the other hand, Salieri accepted Mozart’s talents but was unreservedly jealous of him. Being an Italian, Antonio Salieri wanted to write opera in Italian, and Amadeus Mozart wanted opera in German. They had ideological clashes and competition to get the emperor’s attention. Of course, Salieri could not beat Mozart. He was far ahead of Salieri.

For his failure and Mozart’s glory, Antonio Salieri blamed his God, and eventually it became a fight between a man and God.  Antonio Salieri wanted to be God's mouthpiece and his instrument of music. According to Salieri,  God gave this divine skill to a selfish, ill-mannered creature called Wolfgang Amadeus Mozart, who was an obscene giggler. For this mishap, Antonio Salieri never forgave God. Originally, his fight was not with Amadeus Mozart but with God.

However, in the final days, Antonio Salieri wanted this great man to live for some time and create more music.  His anger and envy turned into compassion.  Salieri was ready to embrace Mozart as the great composer and inimitable maestro. Nevertheless, it was too late. Antonio Salieri was one of the very few composers who went to Mozart’s funeral, and he was one of the few true mourners at the funeral house.

After Wolfgang Amadeus Mozart’s death, the former court composer, Antonio Salieri, became mentally unbalanced, and self-blaming feelings made him more vulnerable. Anger towards Mozart and towards God turned into a self-directed fury.  Antonio Salieri blamed himself for the death of Mozart and had an unsuccessful suicide attempt.

The story of Antonio Salieri was so pathetic, and it shows how jealousy can destroy a man, making him unfortunate and miserable.


The Concept of Self is an Illusion




The concept of the self being an "illusion" stems from the idea that our sense of a unified, permanent "I" is a constructed narrative rather than a solid biological reality. Neuroscience suggests that the concept of self is an illusion, as there is no singular "central controller" governing it. Instead, brain activity is distributed across various networks, and the interplay of these activities gives rise to the notion of self. Neuroplasticity further indicates that the brain is perpetually changing, implying that an unchanging self cannot exist. There is no central "pilot" steering the ship. Brain cells are constantly replaced, and therefore, there is no "unchanging" core.

The brain's Default Mode Network (DMN) is a large-scale, distributed network with primary locations on the medial (inner) and lateral (outer) surfaces of the frontal, parietal, and temporal lobes, often referred to as the brain’s "center for the sense of self". The DMN acts as a "center of narrative gravity," synthesizing fragmented experiences into a coherent story of "me" and creating autobiographical memory. It allows one to project oneself into the future to plan and imagine future scenarios.

The self can be understood as a dynamic process rather than a fixed entity. Research by Michael Gazzaniga on individuals with a severed corpus callosum reveals that the self functions as an interpreter module, crafting a narrative of unity amidst a multitude of disparate processes. This perspective aligns with the views of a Canadian philosopher and cognitive scientist, Evan Thompson, who posits that the self is an evolved construct essential for an organism's navigation of its environment. As David Hume’s "Bundle Theory" highlights, there are "bundles of changing thoughts, feelings, and memories.

Philosopher Thomas Metzinger postulates that the brain functions as a "storyteller," crafting narratives that play a crucial role in how we perceive and interact with the world around us. According to Metzinger, these internal stories are not mere embellishments; rather, they serve as cognitive frameworks that help individuals make sense of their experiences and navigate complex social and environmental landscapes.

Dr. Ruwan M Jayatunge


නවක වධය පිලිබඳ සංවාදය




නවක වධය පිලිබඳ සංවාදය

ආචාර්‍ය මනෝජ් ජිනදාස
වෛද්‍ය රුවන් එම් ජයතුංග
ආචාර්‍ය විජයමෝහන්


The Psychological Impact of University Ragging

*************************************************
 
Discussion conducted by 

Dr. Manoj Jinadasa, PhD (Head of Mass Communication at the University of Kelaniya) 
Dr. Ruwan M. Jayatunge, M.D., PhD ( Medical Doctor and Clinical Psychologist- APA ) 
Dr. S Wijeyamohan ; PhD (Senior Lecturer at University of Vavuniya)

Saturday, January 31, 2026

“Streets of Philadelphia to Streets of Minneapolis

 




While walking in the streets of Philadelphia
You saw your reflection in a window.
You heard the voices of friends vanished and gone.
You could feel yourself fading away.
Without a trace
Just went into oblivion.

The hardships and isolation
Hopelessness and dejection
Whatever that consumed the human spirit
Still active and emerging as an evil power

Many witnessed but forgotten
Many saw but kept their mouths shut
Did not speak up
Maintained silence

Philadelphia to Minneapolis
We saw human misery and injustices.
Rising of Totalitarianism
The law of the iron fist

How things changed drastically.
We saw Neil Diamond's "Sweet Land of Liberty"
Turned into a police state overnight
Creating a mass fear and submission

What did you see, and what did you feel?
When you walked on the streets of Minneapolis,
Through the winter's ice and cold
Did you see blood-covered streets?

What happened to the right to life?
Freedom of opinion and expression?
No more legal protections
Is someone there restricting liberty and freedom?

The conflict of moral witnessing
You may be a distant observer.
What is it truly about?
Negation of reality by state power
Illegitimacy of state violence

From Philadelphia to Minneapolis
We saw totalitarianism and "reality control."
However, things changed from invisibility to visibility.
Led to question the ideologically driven version of reality

by Ruwan M Jayatunge


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